Prev | Next (1 of 196) Back to thumbnails

  • Gerhard Richter. Neue Bilder / New Paintings.

    Yilmaz Dziewior & Rita Kersting (eds.). Köln 2017. 22 x 26 cm. 80 pages, softcover with dustjacket.

  • Monet. Licht, Schatten und Reflexion / Light, Shadow, and Reflection

    Ulf Küster (ed.). Riehen, Berlin 2017. 27,5 x 30,5 cm. 180 pages, hardcover.

    (Two separate editions in german & english language).

  • Gerhar Richter. 40 Tage.

    London 2017. 31 x 21.8 cm. 88 pages, half cloth, with translucent printed dustjacket. Edition: 800 numbered copies.

  • Henry James. Bild & Text.

    Wien 2016. 15,5 x 21,5 cm. 324 pages, stamped cloth softcover.

  • Nancy Princenthal. Agnes Martin.

    Wien 2016. 17,6 × 24,7 cm. 416 pages, hardcover with dustjacket.

  • fotografia 3: Willi Moegle – Otto Steinert.

    Roma 2016. 16 x 24 cm. 20 pages + foldout, sewn binding.

  • Martin Kippenberger. XYZ.

    Lisa Ortner-Kreil & Ingried Brugger (eds.). Wien, Köln 2016. 16.5 x 24 cm. 320 pages, softcover with additional dustjacket.

  • Thomas Huber. Am Horizont / On the Horizon.

    Bonn, Munich, 2016. 29 x 23 cm. 168 pages + 64 pages french booklet, printed cloth cover.

  • Villa Massimo 2015.

    Roma 2016. 18 x 24 cm. 340 pages, half cloth.

  • Invar-Torre Hollaus. Frank Auerbach.

    Wien 2016. 17 x 24.6 cm. 388 pages, half cloth.

  • Gerhard Richter. Abstract Paintings and Drawings / Abstrakte Bilder und Zeichnungen.

    New York, Köln 2016. 24 x 30.4 cm. 124 pages, cloth with dustjacket.

    (Two separate editions in german & english language)

  • Johannes Wohnseifer. Canon.

    Köln 2016. 13 x 17.7 cm. 176 pages, printed cloth cover.

  • One/Other. (Self Portraits/Portraits).

    Köln 2016. 11 x 16.5 cm. 40 pages, stapled vice-versa booklet.

  • Gerhard Richter. Birkenau.

    Baden Baden, Köln 2016. 21,5 x 26 cm. 56 pages, hardcover.

  • Jürgen Partenheimer. Calliope.

    Genève, Köln 2015. 24,4 x 33 cm. 136 pages, hardcover.

  • Casimiro di Crescenzo. Im Hotel Régina. Alberto Giacometti vor Henri Matisse.

    Wien 2016. 24,8 x 18 cm. 156 pages, cloth.

  • 16 Klassiker der Kunstgeschichte.

    Richard Shone & John-Paul Stonard (eds.). Wien 2015. 14,9 x 20,5 cm. 448 pages, softcover with flaps.

  • Oswal Egger / Martin Mosebach.

    (= Aventinische Lesungen 10). Roma 2015. 15 x 22,4 cm. 84 pages, softcover with dustjacket.

  • fotografia 2: Erich Salomon – Friedrich Seidenstücker.

    Roma 2015. 16 x 24 cm. 16 pages + foldout, sewn binding.

  • Gerhard Richter: Atlas.

    Cologne, 2015. 4 vols.

  • Ingrid Calame. Being Born.

    Jochen Kienbaum (ed.). Köln 2015. 24,4 x 33 cm. 96 pages, hardcover.

  • Rembrandt's Changing Impressions.

    Robert Fucci. New York, Köln 2015. 21 x 28 cm. 160 pages, softcover with flaps.

  • Gerhard Richter. BIRKENAU.

    Köln 2015. 15,3 x 22,5 cm. 144 pages, cloth binding with dustjacket.

  • Martin Gayford. Das Gelbe Haus.

    Wien 2015. 14,5 x 22 cm. 488 pages, softcover with dustjacket.

  • Anne Mœglin-Delcroix. Abulo ergo sum.

    München, Köln 2015. 15 x 22 cm. 96 pages, hardcover.

  • Robert Henri. The Art Spirit.

    Wien 2015. 22,2 x 15,5 cm. 252 pages, softcover.

  • New York Painting

    Christoph Schreier (ed.). Munich, Bonn 2015. 24 x 32,5 cm. 192 pages, sofcover with dustjacket.

  • Leigh Bowery. Verwandlungskünstler.

    Angela Stief (ed.) Wien 2015. 20,5 x 27,4 cm. 328 pages, cloth with dustjacket.

  • Sibylle Lewitscharoff / María Cecilia Barbetta.

    (= Aventinische Lesungen 9). Roma 2014. 15 x 22,4 cm. 116 pages, softcover with dustjacket.

  • Dieter Roth. Balle balle Knalle.

    Ulrike Groos & Sven Beckstette (eds.). Stuttgart, Köln 2014. 17 x 23 cm. 288 pages, sofcover.

  • Type 42 [Anonymous]. "Fame Is the Name of the Game".

    Nicole Delmes & Suasanne Zander (eds.). Text by Cindy Sherman. Köln 2014. 17,5 x 14,3 cm. 144 pages, cloth.

  • Carl Ostendarp. Book [blue version].

    Jochen Kienbaum (ed.). Köln 2014. 17 x 23,5 cm. 40 pages, hardcover.

  • Carl Ostendarp. Book [red version].

    Jochen Kienbaum (ed.). Köln 2014. 17 x 23,5 cm. 40 pages, hardcover.

  • August Macke. Franz Marc. Eine Künstlerfreundschaft (germ. edition).

    August Macke. Franz Marc. An Artist Friendship (engl. edition).

    Ostfildern, Bonn, Munich 2014. 25,20 x 29,60 cm. 360 pages, half cloth.

  • Ulrich Rückriem. Punkt und Linie zu Fläche / Point and Line to Plane.

    Köln 2014. 21,5 x 30,2 cm. 68 pages, hardcover.

  • Henri Michaux. Zeichen. Köpfe. Gesten.

    Wien 2014. 14 x 24,3 cm. 144 pages, printed cloth cover.

  • fotografia I: August Sander – Helmar Lerski.

    Roma 2014. 16 x 24 cm. 12 pages + foldout, sewn binding.

  • Alastair Brotchie: Alfred Jarry. Ein pataphysisches Leben.

    Wien 2014. 20 x 28 cm. 552 pages, softcover with colored edges.

  • Eberhard Grisebach. Ernst Ludwig Kirchner.

    (= NichtSoKleineBibliothek 9). Wien 2014. 12,8 x 20 cm. 148 pages, hardcover with bandarole.

  • Gerhard Richter. Bilder / Serien (germ. edition) / Pictures / Series (engl. edition).

    Hans Ulrich Obris (ed.) Riehen/Basel, Ostfildern 2014. 30,6 x 23,5 cm. 192 pages, printed cloth cover with embossing.

  • polke/richter. richter/polke. Katalog, Entwürfe, Fotografien, Dokumente.

    Dresden, Köln 2014. 24 x 16,3 cm. 64 pages, stapled with embossed cover, and bandarole.

  • Gerd [Gerhard] Richter. Comic Strip (1962).

    Köln 2014. 12,3 x 21,2 cm. 140 pages, cloth.

  • Jürgen Partenheimer. Das Archiv / The Archive.

    München, Hamburg, Den Haag, Vancouver 2014. 16,5 x 24 cm. 368 pages, printed cloth cover.

  • Katja Lange-Müller. Drehtür : Porta Girevole.

    (= Aventinische Lesungen 8). Roma 2013. 15 x 22,4 cm. 52 pages, softcover with dustjacket.

  • Klaus Merkel. hornbook.

    Jochen Kienbaum (ed.). Köln 2013. 16,6 x 24 cm. 224 pages, softcover with dustjacket.

  • David Sylvester. Ein Gespräch mit Philip Guston.

    (= NichtSoKleineBibliothek 8). Wien 2013. 12,8 x 20 cm. 152 pages, hardcover with bandarole.

  • Gerhard Richter. Atlas Tafeln / Sheets 784-802.

    Köln, München 2013. 15,3 x 20,8 cm. 32 pages, stapled.

  • Simon Grant (ed.). Ref/verenz. Zeitgenössische Wahlverwandtschaften.

    Wien 2013. 18,6 x 26,6 cm. 208 pages, cloth with dustjacket.

  • Barbara Probst.

    Ostfildern, Copenhagen, Biel 2013. 29,7 x 24,5 cm. 192 pages (+ 6 foldouts), hardcover.

  • Gerhard Richter. Bücher.

    Dresden 2013. 11,5 x 17,2 cm. 120 pages, softcover.

  • Ulrich Rückriem. Punkt und Linie zu Fläche / Point and Line to Plane.

    Köln 2013. 30 x 21,5 cm. 62 pages, hardcover.

  • Herbert Molderings. Marcel Duchamp at the Age of 85. (engl. version)

    Marcel Duchamp im Alter von 85 Jahren. (germ. version)

    Köln 2013. 12,8 x 19,5 cm. 112 pages, hardcover.

  • HEIMsuchung. Unsichere Räume in der Kunst der Gegenwart / Uncanny Spaces in Contemporary Art.

    Bonn, Köln 2013. 16,5 x 24 cm. 320 pages, hardcover.

  • Johannes Wohnseifer. Teile.

    Köln 2013. 21,5 x 28,5 cm. 112 pages, softcover with translucent dustjacket.

  • Jean Fremon (ed.). Louise Bourgeois: Moi, Eugenie Grandet.

    (= NichtSoKleineBibliothek 7). Wien 2013. 12,8 x 20 cm. 116 pages, hardcover with bandarole.

  • Smile. Amerikanische Kunst – Sammlung Kienbaum.

    Köln 2013. 20 x 27,5 cm. 48 pages, stapled.

  • Sehr Schön. C.O. Paeffgen im Arp Museum.

    Remagen, Köln 2013. 22 x 30 cm. 152 pages, softcover.

  • Isn't it romantic?

    Köln 2013. Petra Hesse & Tulga Beyerle (eds.). 21 x 29 cm. 172 page, half cloth.

  • Gerhard Richter. November.

    London 2013. 31,5 x 21,8 cm. 72 pages, hardcover.

  • Jürgen Partenheimer. Seeds & Tracks and Folded Spirits.

    Köln 2012. 24,3 x 33 cm. 96 pages, hardcover.

  • Sandy Nairne. Die Leere Wand.

    Wien 2012. 15,5 x 24,3 cm. 320 pages, cloth with dustjacket.

  • Gerhard Richter. War Cut.

    New York 2012. 21 x 25 cm. 344 pages, cloth.

  • Julia Schmid. Helsinkimadrid.

    Bonn 2012. 28 x 21 cm. 96 pages, hardcover.

  • Ambroise Vollard. Erinnerungen an Edgar Degas.

    (= NichtSoKleineBibliothek 6). Wien 2012. 12,8 x 20 cm. 152 pages, hardcover with bandarole.

  • Gerhard Richter. Strip Paintings.

    New York 2012. 40,6 x 27,8 cm. 56 pages, cloth with dusjacket.

  • Margret. Chronik einer Affäre.

    Nicole Delmes & Susanne Zander (eds.). Innsbruck, Berlin, Köln 2012. 19 x 27 cm. 144 pages, softcover with dustjacket.

  • Martin Gayford. A Bigger Message. Gespräche mit David Hockney.

    Wien 2012. 16,2 x 23,5 cm. 248 pages, hardcover with dustjacket.

  • David Reed. Heart of Glass.

    Bonn, Köln 2012. 24 x 30 cm. 144 pages, flatbook binding.

  • Gerhard Richter. Patterns.

    New York 2012. 23 x 15 cm. 488 pages, hardcover.

  • Gerhard Richter. Motifs.

    Paris 2012. 23 x 15 cm. 488 pages, hardcover.

  • Gerhard Richter. Patterns.

    London, Köln 2012. 23 x 15 cm. 488 pages, hardcover.

  • Gerhard Richter. Beirut.

    Beirut, London, Köln 2012. 18 x 24 cm. 256 pages, softcover with additional dustjacket.

  • Dietmar Rübel. Plastizität.

    München 2012. 17 x 23 cm. 400 pages, embossed softcover.

  • Architektenmöbel / Furniture by Architects.

    Petra Hesse & Gabrielle Lueg (eds.). Köln 2012. 21,5 x 28 cm. 160 pages, embossed hardcover.

  • Mary Heilmann. Seeing Things.

    Köln 2012. 21,6 x 28 cm. 40 pages, softcover.

  • Barnett Newman et. al. Jackson Pollock.

    NichtSoKleineBibliothek 5. Wien 2011. 12,8 x 20 cm. 136 pages, hardcover with bandarole.

  • Thomas Rentmeister. Objects. Food. Rooms.

    Bonn, Köln 2011. 24,5 x 30,3 cm. 268 pages, hardcover.

  • Thomas Zitzwitz. Crumple Paintings.

    Köln 2011. 16,5 x 25,5 cm. 32 pages (incl. covers), one folded sheet.

  • Martin Gayford. Mann mit blauem Schal. Ich saß für Lucien Freud.

    Wien 2011. 15 x 23 cm. 248 pages. Hardcover with dustjacket.

  • Marcel Beyer, Jacqueline Merz.

    Roma 2011. 18 x 24 cm. 16 pages, stapelbound.

  • Villa Massimo 2010.

    Roma 2011. 18 x 24 cm. 282 pages, cloth.

  • Sigmar Polke. We Petty Bourgeois!

    Petra Lange-Berndt & Dietmar Rübel (eds.). New York, Köln 2011. 21,5 x 26,5 cm. 512 pages (+ 10 foldouts), cloth with dustjacket.

  • Gerhard Richter. Night Sketches

    London 2011. 11 x 17,7 cm. 176 pages, cloth.

  • Michael Peppiatt. Gespräche in der Nacht. Francis Bacon über seine Arbeit.

    Wien 2011. 16,5 x 25 cm. 124 pages, cloth with dustjacket.

  • Gerhard Richter. Patterns.

    London, Köln 2011. 40 x 26,7 cm. 452 pages, cloth with dustjacket.

  • Mary Ann Caws. Pablo Picasso – Ein Porträt

    Wien 2011. 15,5 x 23,4 cm. 232 pages, hardcover.

  • Rüdiger Schöttle & Gottfried Boehm. 3 Gespräche.

    Köln 2011. 11,5 x 18 cm. 72 pages, softcover.

  • Ulrich Rückriem. Zeichnungen / Drawings.

    Köln 2011. 35 x 21,5 cm. Hardcover.

  • Objects of Knowledge, of Art and of Friendship.

    David Link & Nils Röller (eds.). 2011. 14 x 21 cm. Softcover with Dustjacket.

  • Gerhard Richter. Eis.

    Köln 2011. 15 x 23 cm. 144 pages, cloth with dustjacket.

  • Villa Massimo 2009.

    Roma 2010. 18 x 24 cm. 282 pages, cloth.

  • Dürs Grünbein. Unheimliches Idyll

    Roma 2010. 18 x 24 cm. 16 pages, staple bound.

  • Fernando Bryce. Südsee.

    Roma 2010. 18 x 24 cm. 16 pages, staple bound.

  • Gerhard Richter. Sindbad.

    Köln 2010. 26 x 32 cm. 116 pages, cloth with dustjacket and bandarole.

  • Jorinde Voigt. Botanic Codes.

    Jochen Kienbaum (ed.). Köln 2010. 25 x 38,5 cm. 48 pages, hardcover.

  • Lydie Fischer Sarazin-Levassor. Meine Ehe mit Marcel Duchamp.

    Wien 2010. 15 x 22,7 cm. 344 pages, cloth with dustjacket.

  • flypaper 5. Heinz Emigholz. Sentimental Bombast.

    Lutz Becker & Uwe Koch (eds.).

    Köln 2010. 13,8 x 20,4 cm. 32 pages, staple bound.

  • Villa Massimo. Deutsche Akademie Rom.

    Roma 2010. 21,5 x 28 cm. 94 pages, hardcover, half cloth.

  • Anna & Bernhard Blume. SX-70. Polaroids 1975-2000.

    Paris, Köln 2010. 33 x 22 cm. 160 pages, hardcover with dustjacket.

  • Richard Neutra in Europa. Bauten und Projekte 1960-1970.

    Klaus Leuschel & Marta Herford (eds.). Herford, Köln 2010. 30,5 x 22,2 cm. 272 pages, hardcover.

  • Bernard Frize. The Invisibility Cloak.

    Jochen Kienbaum (ed.). Köln 2010. 13 x 18 cm. 88 pages, softcover.

  • Eating the Universe. Vom Essen in der Kunst.

    Düsseldorf, Innsbruck, Stuttgart, Köln 2009. 20 x 26 cm, 312 pages, hardcover.

  • Hans Belting. Der Blick hinter Duchamps Tür (german edition).

    Hans Belting. Looking through Duchamp's Door (english edition).

    Köln 2009. 15,5 x 23,5 cm, 192 pages, hardcover with dustjacket.

  • Albert Oehlen. Abstract Reality.

    Paris, Köln 2009. 25 x 34,5 cm. 54 pages, wrapped in a folded poster with banderole.

  • Gerhard Hoehme. die Unruhe wächst / restlessness grows.

    Susanne Rennert, Gerhard und Margarete Hoehme-Stiftung (eds.). Duisburg, Düsseldorf, Köln 2009. 22 x 29 cm. 240 pages, softcover.

  • Gerhard Richter. Elbe 1957.

    Dresden 2009. 24,5 x 34 cm. 76 pages, softcover.

  • Herbert Molderings. Atelier Man Ray.

    Köln 2009. 15 x 21,5 cm. 96 pages, hardcover with dustjacket.

  • Candida Höfer. Some Versailles and Paris Spaces.

    Oslo 2009. 22 31,5 cm. 36 pages, staple bound with dustjacket.

  • David Reed. Rock Paper Scissors.

    Jochen Kienbaum (ed.). Köln 2008. 23,5 x 34,5 cm. 80 pages, cloth with dustjacket.

  • Gerhard Richter. Wald.

    Köln 2008. 16,5 x 24,5 cm. 396 pages, cloth with dustjacket.

  • Villa Massimo 2007.

    Roma 2008. 18,5 x 24,5 cm, 304 pages, cloth.

  • Anna & Bernhard Blume. Reine Vernunft.

    Berlin, Köln 2008. 22 x 27 cm. 100 pages, softcover with flaps.

  • flypaper 3+. Volker Pantenburg. More Screen Tests: 100-Worte-Texte zum Kino.

    Lutz Becker & Uwe Koch (eds.). Köln 2008. 13,8 x 20,4 cm. 36 pages, staplebound.

  • Johannes Stüttgen. Joseph Beuys. Der Ganze Riemen.

    Köln 2008. 20,4 x 29,5 cm. 1048 pages, cloth with bandarole.

  • Europop.

    Tobia Bezzola, Franziska Lentzsch (eds.). Köln 2008. 316 pages, hardcover.

  • Anselm Kiefer. Sculptures and Paintings from the Hall Collection.

    Massachusetts, Derneburg 2008. 29,5 x 22 cm. 64 pages, cloth.

  • Brigitte Kölle. okey dokey Konrad Fischer.

    Köln 2007. 17 x 24 cm. 312 pages, softcover.

  • Julian Schnabel.

    Derneburg 2007. 22,5 x 32,5 cm. 208 pages, cloth with dustjacket.

  • Hubertus Butin. Peter Zimmermann. Painting.

    Ostfildern 2007. 17,5 x 24,5 cm 144 pages, hardcover with dustjacket.

  • flypaper 3. Volker Pantenburg. Screen Tests: 100-Worte-Texte zum Kino.

    Lutz Becker & Uwe Koch (eds.). Köln 2008. 13,8 x 20,4 cm. 36 pages, staple bound.

  • Palermo.

    Susanne Küper, Ulrike Groos, Vanessa Joan Müller (eds.). Düsseldorf, Köln 2007. 23 x 29 cm. 232 pages, softcover.

  • Stephan Kaluza. Der Rhein.

    Köln 2007. 40 x 24 cm. 420 pages, hardcover in slipcase.

  • Roswitha Hecke. Pigalle.

    Köln 2007. 14,3 x 21 cm. 128 pages, softcover with dustjacket.

  • London 2007.

  • Candida Höfer. Buenos Aires

    Oslo 2007. 22 31,5 cm. 36 pages, staple bound with dustjacket.

  • Donald Urquhart. A Present from the Zoo.

    Köln 2006. 23 x 33,5 cm. 112 pages, softcover.

  • Allen Ruppersberg. One of Many — Origins and Variants.

    Düsseldorf, Dundee, Sevilla, Köln 2006. 20 x 28 cm. 232 pages, softcover.

  • flypaper 2. Tom Holert. Hinter ihr / ihm, in wesenlosem Scheine.

    Lutz Becker & Uwe Koch (eds.)

    Köln 2006. 13,8 x 20,4 cm. 32 pages, staplebound.

    www.flypaper.virb.com

  • Hans-Peter Feldmann. Blau.

    Köln 2006. 14,8 x 21,5 cm. 16 pages, staple bound.

  • John Baldessari. Prima Facie: Marilyn's Dress.

    Köln 2006. 13,3 x 16,7 cm. 44 pages, hardcover.

  • Brandon Lattu. Selected Works.

    New York, 2005. 23,2 x 20,8 cm. 48 pages, hardcover.

  • C. O. Paeffgen in Trinitatis.

    Köln 2005. 21 x 27 cm. 64 pages, softcover.

  • Brigitte Franzen & Stefanie Krebs. Landschaftstheorie.

    Köln 2005. 15 x 23 cm. 340 Seiten, softcover.

  • Candida Höfer. Brazil Series.

    Oslo 2005. 22 31,5 cm. 32 pages, staple bound with dustjacket.

  • Dan Perjovschi. I Draw I Happy.

    Köln 2005. 11 x 14,8 cm. 256 pages, softcover.

  • George Brecht. Notebook VII. June 1961–September 1962.

    Herrmann Braun (ed.). Köln 2005. 22 x 28 cm. 378 pages, spiral binding.

  • Variantology 1.

    Siegfried Zielinski, Silvia M. Wagnermaier (eds.). Köln, 2005. 15,5, x 23 cm. 384 pages, softcover.

  • Robert Crumb. Yeah, but is it Art?

    Köln 2004. 23,4 x 30,5 cm. 280 pages, hardcover.

  • Gerhard Richter. Editionen 1965-2004.

    Bonn, Dallas, Ostfildern 2004. 23,5 x 30,5 cm. 288 pages, cloth with dustjacket.

  • Jörg Immendorff & Thomas Spengler. 15 Affen für Ida.

    Berlin, Köln 2004. 60 pages, hardcover.

  • Thomas Zitzwitz. ligne de chance.

    Köln 2004. 12 x 15,6 cm. 32 Seiten, staple bound.

  • von a bis z. 26 Essays zu Grundbegriffen der Architektur.

    Mario Hohmann & Stefan Rettich (eds.). Köln 2004. 12,5 x 17,5 cm. 162 pages, softcover.

  • Ingrid Calame, Mathilde ter Heijne, Jörg Wagner.

    Hannover 2004. 16,3 x 24 cm. 200 pages, softcover.

  • Gerhard Richter. War Cut.

    Paris, Köln 2004. 21 x 25 cm. 344 pages, cloth.

  • Hans Hartung. So beschwor ich den Blitz.

    Köln 2004. 21,3 x 28,5 cm. 152 pages, hardcover.

  • Hans Rogalla. Die Welt muss schöner werden!

    Düsseldorf, Karlsruhe, Köln 2004. 16,5 x 23,5 cm. 144 pages, softcover.

  • Kasper König zum Sechzigsten.

    Köln 2003. 15,7 x 24,5 cm. 304 pages, softcover.

  • Paul McCarthy. Videos 1970-1997.

    Yilmaz Dziewior (ed.). 176 pages, softcover.Hamburg, Köln 2003. 16,5 x 24,3 cm.

  • Rembrandt. Die Radierungen im Städel.

    Frankfurt, Köln 2003. 12,3 x 18,4 cm. 192 pages, hardcover.

  • Paul McCarthy. Tokyo Santa.

    Köln 2003. 27,8 x 40 cm. 156 pages, hardcover.

  • Günter Brus. Werkumkreisung.

    Wien, Köln 2003. 23 x 29 cm. 288 pages, softcover with dustjacket.

  • Hanne Darboven. Kulturgeschichte 1880-1983.

    Köln 2003.

  • Candida Höfer. Martin Kippenberger. Deutscher Pavillon Venedig 2003.

    Köln 2003. 15 x 22 cm. 104 pages, softcover with dustjacket.

  • Digne M. Marcovicz. "To the people ...". Sprechen über Blinky Palermo.

    Köln 2003. 12 x 19 cm. 160 pages, softcover.

  • Thomas Bayrle. Layout. Philip Johnson.

    Köln 2003. 118 pages, softcover.

  • Jean-François Moriceau + Petra Mrzyk. Trois Fois Plus.

    New York, Köln 2003. 21 x 29,7 cm. 160 pages, softcover

  • Uwe Koch: Annotated catalogue raisonné of the books by Martin Kippenberger 1977-1997.

    With essays by Diedrich Diederichsen & Roberto Ohrt. New York, Köln 2002. 21 x 27,5 cm. 368 pages, hardcover.

  • Jörg Immendorff. Die Nase.

    Köln 2002. 216 pages, hardcover.

  • Rosemarie Trockel. Protest.

    Köln 2002. 16 x 21 cm. 368 pages,softcover.

  • Lisa Ruyter & Jack Miles. Stations of the Cross.

    New York, 2002. 21 x 27,5 cm. 56 pages, softcover with flaps.

  • Hanne Darboven. Werkverzeichnis Bücher.

    Köln 2002. 21,5 x 28,5 cm. 216 Seiten, hardcover.

  • Paul Morrison. Chloroplast.

    Nürnberg / Southampton / Köln 2002. 21 x 28 cm. 80 pages, softcover with flaps.

  • Yoshitaka Amano.

    New York 2002. 21,3 x 29,2 cm. 192 pages, halfcloth.

  • Anna & Bernhard Blume. Prinzip Grausamkeit.

    Köln, 2002. Hardcover.

  • 100 Reviews. Backwards. London.

    London, 2002. 13,5 x 19,3 cm. 172 pages, softcover.

  • 100 Rieviews (3).

    London, 2002. 11,8 x 17 cm. 90 pages, softcover.

  • Cristopher Dell. Prinzip Improvisation

    Köln 2002. 15,5 x 23 cm. 268 pages, softcover.

  • Jean Dubuffet. Biografie im Laufschritt.

    Köln 2002. 13 x 20 cm. 136 pages, softcover.

  • Christian Boltanski. Scratch

    Karlsruhe, Köln 2002. 15 x 22 cm. 10 pages. hardcover.

  • Peter Fischli & David Weiss. Sichtbare Welt.

    Barcelona / Köln 2001. 27,5 x 21,5 cm. 360 pages, hardcover.

  • Sigmar Polke. Cupido.

    Köln 2001. 48 pages, softcover.

  • Vorträge zum filmischen Werk von Marcel Broodthears

    Berlin, Köln 2001. 15,5 x 23 cm. 132 pages, softcover.

  • Hanne Darboven. Schreibzeit.

    Bernhard Jussen (ed.). Köln 2000. 15,5 x 23 cm. 216 pages, softcover.

  • Erwin Heerich. Skulptur und der architektonische Raum.

    Köln 2000.

  • Lab. Jahrbuch 2000 für Künste und Apparate.

    Siegfried Zielinski (ed.). Köln 2000. 14,8 x 21 cm. 280 pages, softcover with flaps.

  • Martin Kippenberger. Bei Nichtgefallen Gefühle zurück.

    Köln 2000. 14,8 x 21 cm. 224 pages, softcover.

  • Martin Kippenberger. No Drawing No Cry.

    Köln 2000. 21 x 29,5 cm. 494 pages, softcover with flaps.

  • Tom Holert. Imagineering.

    Köln 2000. 17 x 24 cm. 200 pages, softcover.

  • Raymond Pettibon. Aus dem Archiv der Hefte 1978-1998 (german edition).

    Raymond Pettibon. The Books 1978-1998 (english edition).

    Roberto Ohrt (ed.). With a catalogue raisonné of the artist's books by Uwe Koch and Roberto Ohrt. Köln / New York 2000. 14 x 21,5 cm, 898 pages, hardcover (german edition) / softcover (english edition).

  • Maurice Blanchot. Der Wahnsinn des Tages.

    Köln 2000. 11,3 x 17,7 cm. 40 pages, softcover.

  • Dieter Roth. Die Haut der Welt.

    Köln 2000. 270 pages, hardcover.

  • Sándor Márai. Tagebuch 1985-1989.

    Köln 1999. 15 x 23 cm. 48 pages, softcover.

  • Richard Tuttle. Perceived Obstacles.

    Köln 2000. 30,5 x 96 cm. 90 pages, stamped cardboard cover.

  • Antiken 2. Italische Tonvotive.

    Köln 1999. 28 x 19,4 cm. 32 Seiten, staplebound.

  • Peter Fischli & David Weiss. Musée d'Art Moderne de la Ville de Paris.

    Paris, Köln, 1999. 20 x 27,5 cm. 94 pages (47 loose folded sheets), with bandarole.

  • Kunst Buch Freunde. Walther König zum Sechzigsten.

    London 1999. 17,5 x 25 cm. 200 pages, softcover with flaps.

  • Chris Reinecke. 60er Jahre — Lidl-Zeit.

    Düsseldorf, Köln 1999. 200 pages, softcover.

  • Lab. Jahrbuch 1999 für Künste und Apparate.

    Siegfried Zielinski (ed.). Köln 1999. 14,8 x 21 cm. 352 pages, softcover with flaps.

  • Stanley Brouwn. 1 x 1 royal cubit.

    Köln 1998.

  • Carsten Höller's Spiele Buch. Köln 1998. 11,5 x 18,2 cm. 78 pages, PVC softcover.

  • Richard Tuttle. Reading Red.

    Köln 1998. 8 pages and 3 round folded sheet, cloth.

  • Jochen Klein.

    Wolfgang Tillmans (ed.). Köln 1998. softcover.

  • Wolfgang Tillmans. Concorde.

    Köln 1997. 16,3 x 24 cm. 128 pages, softcover.

  • George Brecht. Notebook IV. September 1959 — March 1960.

    Hermann Braun (ed.). Köln 1997. 22 x 29,5 cm. 248 pages, spiral binding.

  • George Brecht. Notebook V. March 1960 — November 1960.

    Hermann Braun (ed.). Köln 1997. 22 x 29,5 cm. 168 pages, spiral binding.

  • Lawrence Weiner. To Build A Square In The Rhineland.

    Köln 1995.

  • Gerhard Richter. Neue Bilder / New Paintings.

    Yilmaz Dziewior & Rita Kersting (eds.). Köln 2017. 22 x 26 cm. 80 pages, softcover with dustjacket.

  • Monet. Licht, Schatten und Reflexion / Light, Shadow, and Reflection

    Ulf Küster (ed.). Riehen, Berlin 2017. 27,5 x 30,5 cm. 180 pages, hardcover.

    (Two separate editions in german & english language).

  • Gerhar Richter. 40 Tage.

    London 2017. 31 x 21.8 cm. 88 pages, half cloth, with translucent printed dustjacket. Edition: 800 numbered copies.

  • Henry James. Bild & Text.

    Wien 2016. 15,5 x 21,5 cm. 324 pages, stamped cloth softcover.

  • Nancy Princenthal. Agnes Martin.

    Wien 2016. 17,6 × 24,7 cm. 416 pages, hardcover with dustjacket.

  • fotografia 3: Willi Moegle – Otto Steinert.

    Roma 2016. 16 x 24 cm. 20 pages + foldout, sewn binding.

  • Martin Kippenberger. XYZ.

    Lisa Ortner-Kreil & Ingried Brugger (eds.). Wien, Köln 2016. 16.5 x 24 cm. 320 pages, softcover with additional dustjacket.

  • Thomas Huber. Am Horizont / On the Horizon.

    Bonn, Munich, 2016. 29 x 23 cm. 168 pages + 64 pages french booklet, printed cloth cover.

  • Villa Massimo 2015.

    Roma 2016. 18 x 24 cm. 340 pages, half cloth.

  • Invar-Torre Hollaus. Frank Auerbach.

    Wien 2016. 17 x 24.6 cm. 388 pages, half cloth.

  • Gerhard Richter. Abstract Paintings and Drawings / Abstrakte Bilder und Zeichnungen.

    New York, Köln 2016. 24 x 30.4 cm. 124 pages, cloth with dustjacket.

    (Two separate editions in german & english language)

  • Johannes Wohnseifer. Canon.

    Köln 2016. 13 x 17.7 cm. 176 pages, printed cloth cover.

  • One/Other. (Self Portraits/Portraits).

    Köln 2016. 11 x 16.5 cm. 40 pages, stapled vice-versa booklet.

  • Gerhard Richter. Birkenau.

    Baden Baden, Köln 2016. 21,5 x 26 cm. 56 pages, hardcover.

  • Jürgen Partenheimer. Calliope.

    Genève, Köln 2015. 24,4 x 33 cm. 136 pages, hardcover.

  • Casimiro di Crescenzo. Im Hotel Régina. Alberto Giacometti vor Henri Matisse.

    Wien 2016. 24,8 x 18 cm. 156 pages, cloth.

  • 16 Klassiker der Kunstgeschichte.

    Richard Shone & John-Paul Stonard (eds.). Wien 2015. 14,9 x 20,5 cm. 448 pages, softcover with flaps.

  • Oswal Egger / Martin Mosebach.

    (= Aventinische Lesungen 10). Roma 2015. 15 x 22,4 cm. 84 pages, softcover with dustjacket.

  • fotografia 2: Erich Salomon – Friedrich Seidenstücker.

    Roma 2015. 16 x 24 cm. 16 pages + foldout, sewn binding.

  • Gerhard Richter: Atlas.

    Cologne, 2015. 4 vols.

  • Ingrid Calame. Being Born.

    Jochen Kienbaum (ed.). Köln 2015. 24,4 x 33 cm. 96 pages, hardcover.

  • Rembrandt's Changing Impressions.

    Robert Fucci. New York, Köln 2015. 21 x 28 cm. 160 pages, softcover with flaps.

  • Gerhard Richter. BIRKENAU.

    Köln 2015. 15,3 x 22,5 cm. 144 pages, cloth binding with dustjacket.

  • Martin Gayford. Das Gelbe Haus.

    Wien 2015. 14,5 x 22 cm. 488 pages, softcover with dustjacket.

  • Anne Mœglin-Delcroix. Abulo ergo sum.

    München, Köln 2015. 15 x 22 cm. 96 pages, hardcover.

  • Robert Henri. The Art Spirit.

    Wien 2015. 22,2 x 15,5 cm. 252 pages, softcover.

  • New York Painting

    Christoph Schreier (ed.). Munich, Bonn 2015. 24 x 32,5 cm. 192 pages, sofcover with dustjacket.

  • Leigh Bowery. Verwandlungskünstler.

    Angela Stief (ed.) Wien 2015. 20,5 x 27,4 cm. 328 pages, cloth with dustjacket.

  • Sibylle Lewitscharoff / María Cecilia Barbetta.

    (= Aventinische Lesungen 9). Roma 2014. 15 x 22,4 cm. 116 pages, softcover with dustjacket.

  • Dieter Roth. Balle balle Knalle.

    Ulrike Groos & Sven Beckstette (eds.). Stuttgart, Köln 2014. 17 x 23 cm. 288 pages, sofcover.

  • Type 42 [Anonymous]. "Fame Is the Name of the Game".

    Nicole Delmes & Suasanne Zander (eds.). Text by Cindy Sherman. Köln 2014. 17,5 x 14,3 cm. 144 pages, cloth.

  • Carl Ostendarp. Book [blue version].

    Jochen Kienbaum (ed.). Köln 2014. 17 x 23,5 cm. 40 pages, hardcover.

  • Carl Ostendarp. Book [red version].

    Jochen Kienbaum (ed.). Köln 2014. 17 x 23,5 cm. 40 pages, hardcover.

  • August Macke. Franz Marc. Eine Künstlerfreundschaft (germ. edition).

    August Macke. Franz Marc. An Artist Friendship (engl. edition).

    Ostfildern, Bonn, Munich 2014. 25,20 x 29,60 cm. 360 pages, half cloth.

  • Ulrich Rückriem. Punkt und Linie zu Fläche / Point and Line to Plane.

    Köln 2014. 21,5 x 30,2 cm. 68 pages, hardcover.

  • Henri Michaux. Zeichen. Köpfe. Gesten.

    Wien 2014. 14 x 24,3 cm. 144 pages, printed cloth cover.

  • fotografia I: August Sander – Helmar Lerski.

    Roma 2014. 16 x 24 cm. 12 pages + foldout, sewn binding.

  • Alastair Brotchie: Alfred Jarry. Ein pataphysisches Leben.

    Wien 2014. 20 x 28 cm. 552 pages, softcover with colored edges.

  • Eberhard Grisebach. Ernst Ludwig Kirchner.

    (= NichtSoKleineBibliothek 9). Wien 2014. 12,8 x 20 cm. 148 pages, hardcover with bandarole.

  • Gerhard Richter. Bilder / Serien (germ. edition) / Pictures / Series (engl. edition).

    Hans Ulrich Obris (ed.) Riehen/Basel, Ostfildern 2014. 30,6 x 23,5 cm. 192 pages, printed cloth cover with embossing.

  • polke/richter. richter/polke. Katalog, Entwürfe, Fotografien, Dokumente.

    Dresden, Köln 2014. 24 x 16,3 cm. 64 pages, stapled with embossed cover, and bandarole.

  • Gerd [Gerhard] Richter. Comic Strip (1962).

    Köln 2014. 12,3 x 21,2 cm. 140 pages, cloth.

  • Jürgen Partenheimer. Das Archiv / The Archive.

    München, Hamburg, Den Haag, Vancouver 2014. 16,5 x 24 cm. 368 pages, printed cloth cover.

  • Katja Lange-Müller. Drehtür : Porta Girevole.

    (= Aventinische Lesungen 8). Roma 2013. 15 x 22,4 cm. 52 pages, softcover with dustjacket.

  • Klaus Merkel. hornbook.

    Jochen Kienbaum (ed.). Köln 2013. 16,6 x 24 cm. 224 pages, softcover with dustjacket.

  • David Sylvester. Ein Gespräch mit Philip Guston.

    (= NichtSoKleineBibliothek 8). Wien 2013. 12,8 x 20 cm. 152 pages, hardcover with bandarole.

  • Gerhard Richter. Atlas Tafeln / Sheets 784-802.

    Köln, München 2013. 15,3 x 20,8 cm. 32 pages, stapled.

  • Simon Grant (ed.). Ref/verenz. Zeitgenössische Wahlverwandtschaften.

    Wien 2013. 18,6 x 26,6 cm. 208 pages, cloth with dustjacket.

  • Barbara Probst.

    Ostfildern, Copenhagen, Biel 2013. 29,7 x 24,5 cm. 192 pages (+ 6 foldouts), hardcover.

  • Gerhard Richter. Bücher.

    Dresden 2013. 11,5 x 17,2 cm. 120 pages, softcover.

  • Ulrich Rückriem. Punkt und Linie zu Fläche / Point and Line to Plane.

    Köln 2013. 30 x 21,5 cm. 62 pages, hardcover.

  • Herbert Molderings. Marcel Duchamp at the Age of 85. (engl. version)

    Marcel Duchamp im Alter von 85 Jahren. (germ. version)

    Köln 2013. 12,8 x 19,5 cm. 112 pages, hardcover.

  • HEIMsuchung. Unsichere Räume in der Kunst der Gegenwart / Uncanny Spaces in Contemporary Art.

    Bonn, Köln 2013. 16,5 x 24 cm. 320 pages, hardcover.

  • Johannes Wohnseifer. Teile.

    Köln 2013. 21,5 x 28,5 cm. 112 pages, softcover with translucent dustjacket.

  • Jean Fremon (ed.). Louise Bourgeois: Moi, Eugenie Grandet.

    (= NichtSoKleineBibliothek 7). Wien 2013. 12,8 x 20 cm. 116 pages, hardcover with bandarole.

  • Smile. Amerikanische Kunst – Sammlung Kienbaum.

    Köln 2013. 20 x 27,5 cm. 48 pages, stapled.

  • Sehr Schön. C.O. Paeffgen im Arp Museum.

    Remagen, Köln 2013. 22 x 30 cm. 152 pages, softcover.

  • Isn't it romantic?

    Köln 2013. Petra Hesse & Tulga Beyerle (eds.). 21 x 29 cm. 172 page, half cloth.

  • Gerhard Richter. November.

    London 2013. 31,5 x 21,8 cm. 72 pages, hardcover.

  • Jürgen Partenheimer. Seeds & Tracks and Folded Spirits.

    Köln 2012. 24,3 x 33 cm. 96 pages, hardcover.

  • Sandy Nairne. Die Leere Wand.

    Wien 2012. 15,5 x 24,3 cm. 320 pages, cloth with dustjacket.

  • Gerhard Richter. War Cut.

    New York 2012. 21 x 25 cm. 344 pages, cloth.

  • Julia Schmid. Helsinkimadrid.

    Bonn 2012. 28 x 21 cm. 96 pages, hardcover.

  • Ambroise Vollard. Erinnerungen an Edgar Degas.

    (= NichtSoKleineBibliothek 6). Wien 2012. 12,8 x 20 cm. 152 pages, hardcover with bandarole.

  • Gerhard Richter. Strip Paintings.

    New York 2012. 40,6 x 27,8 cm. 56 pages, cloth with dusjacket.

  • Margret. Chronik einer Affäre.

    Nicole Delmes & Susanne Zander (eds.). Innsbruck, Berlin, Köln 2012. 19 x 27 cm. 144 pages, softcover with dustjacket.

  • Martin Gayford. A Bigger Message. Gespräche mit David Hockney.

    Wien 2012. 16,2 x 23,5 cm. 248 pages, hardcover with dustjacket.

  • David Reed. Heart of Glass.

    Bonn, Köln 2012. 24 x 30 cm. 144 pages, flatbook binding.

  • Gerhard Richter. Patterns.

    New York 2012. 23 x 15 cm. 488 pages, hardcover.

  • Gerhard Richter. Motifs.

    Paris 2012. 23 x 15 cm. 488 pages, hardcover.

  • Gerhard Richter. Patterns.

    London, Köln 2012. 23 x 15 cm. 488 pages, hardcover.

  • Gerhard Richter. Beirut.

    Beirut, London, Köln 2012. 18 x 24 cm. 256 pages, softcover with additional dustjacket.

  • Dietmar Rübel. Plastizität.

    München 2012. 17 x 23 cm. 400 pages, embossed softcover.

  • Architektenmöbel / Furniture by Architects.

    Petra Hesse & Gabrielle Lueg (eds.). Köln 2012. 21,5 x 28 cm. 160 pages, embossed hardcover.

  • Mary Heilmann. Seeing Things.

    Köln 2012. 21,6 x 28 cm. 40 pages, softcover.

  • Barnett Newman et. al. Jackson Pollock.

    NichtSoKleineBibliothek 5. Wien 2011. 12,8 x 20 cm. 136 pages, hardcover with bandarole.

  • Thomas Rentmeister. Objects. Food. Rooms.

    Bonn, Köln 2011. 24,5 x 30,3 cm. 268 pages, hardcover.

  • Thomas Zitzwitz. Crumple Paintings.

    Köln 2011. 16,5 x 25,5 cm. 32 pages (incl. covers), one folded sheet.

  • Martin Gayford. Mann mit blauem Schal. Ich saß für Lucien Freud.

    Wien 2011. 15 x 23 cm. 248 pages. Hardcover with dustjacket.

  • Marcel Beyer, Jacqueline Merz.

    Roma 2011. 18 x 24 cm. 16 pages, stapelbound.

  • Villa Massimo 2010.

    Roma 2011. 18 x 24 cm. 282 pages, cloth.

  • Sigmar Polke. We Petty Bourgeois!

    Petra Lange-Berndt & Dietmar Rübel (eds.). New York, Köln 2011. 21,5 x 26,5 cm. 512 pages (+ 10 foldouts), cloth with dustjacket.

  • Gerhard Richter. Night Sketches

    London 2011. 11 x 17,7 cm. 176 pages, cloth.

  • Michael Peppiatt. Gespräche in der Nacht. Francis Bacon über seine Arbeit.

    Wien 2011. 16,5 x 25 cm. 124 pages, cloth with dustjacket.

  • Gerhard Richter. Patterns.

    London, Köln 2011. 40 x 26,7 cm. 452 pages, cloth with dustjacket.

  • Mary Ann Caws. Pablo Picasso – Ein Porträt

    Wien 2011. 15,5 x 23,4 cm. 232 pages, hardcover.

  • Rüdiger Schöttle & Gottfried Boehm. 3 Gespräche.

    Köln 2011. 11,5 x 18 cm. 72 pages, softcover.

  • Ulrich Rückriem. Zeichnungen / Drawings.

    Köln 2011. 35 x 21,5 cm. Hardcover.

  • Objects of Knowledge, of Art and of Friendship.

    David Link & Nils Röller (eds.). 2011. 14 x 21 cm. Softcover with Dustjacket.

  • Gerhard Richter. Eis.

    Köln 2011. 15 x 23 cm. 144 pages, cloth with dustjacket.

  • Villa Massimo 2009.

    Roma 2010. 18 x 24 cm. 282 pages, cloth.

  • Dürs Grünbein. Unheimliches Idyll

    Roma 2010. 18 x 24 cm. 16 pages, staple bound.

  • Fernando Bryce. Südsee.

    Roma 2010. 18 x 24 cm. 16 pages, staple bound.

  • Gerhard Richter. Sindbad.

    Köln 2010. 26 x 32 cm. 116 pages, cloth with dustjacket and bandarole.

  • Jorinde Voigt. Botanic Codes.

    Jochen Kienbaum (ed.). Köln 2010. 25 x 38,5 cm. 48 pages, hardcover.

  • Lydie Fischer Sarazin-Levassor. Meine Ehe mit Marcel Duchamp.

    Wien 2010. 15 x 22,7 cm. 344 pages, cloth with dustjacket.

  • flypaper 5. Heinz Emigholz. Sentimental Bombast.

    Lutz Becker & Uwe Koch (eds.).

    Köln 2010. 13,8 x 20,4 cm. 32 pages, staple bound.

  • Villa Massimo. Deutsche Akademie Rom.

    Roma 2010. 21,5 x 28 cm. 94 pages, hardcover, half cloth.

  • Anna & Bernhard Blume. SX-70. Polaroids 1975-2000.

    Paris, Köln 2010. 33 x 22 cm. 160 pages, hardcover with dustjacket.

  • Richard Neutra in Europa. Bauten und Projekte 1960-1970.

    Klaus Leuschel & Marta Herford (eds.). Herford, Köln 2010. 30,5 x 22,2 cm. 272 pages, hardcover.

  • Bernard Frize. The Invisibility Cloak.

    Jochen Kienbaum (ed.). Köln 2010. 13 x 18 cm. 88 pages, softcover.

  • Eating the Universe. Vom Essen in der Kunst.

    Düsseldorf, Innsbruck, Stuttgart, Köln 2009. 20 x 26 cm, 312 pages, hardcover.

  • Hans Belting. Der Blick hinter Duchamps Tür (german edition).

    Hans Belting. Looking through Duchamp's Door (english edition).

    Köln 2009. 15,5 x 23,5 cm, 192 pages, hardcover with dustjacket.

  • Albert Oehlen. Abstract Reality.

    Paris, Köln 2009. 25 x 34,5 cm. 54 pages, wrapped in a folded poster with banderole.

  • Gerhard Hoehme. die Unruhe wächst / restlessness grows.

    Susanne Rennert, Gerhard und Margarete Hoehme-Stiftung (eds.). Duisburg, Düsseldorf, Köln 2009. 22 x 29 cm. 240 pages, softcover.

  • Gerhard Richter. Elbe 1957.

    Dresden 2009. 24,5 x 34 cm. 76 pages, softcover.

  • Herbert Molderings. Atelier Man Ray.

    Köln 2009. 15 x 21,5 cm. 96 pages, hardcover with dustjacket.

  • Candida Höfer. Some Versailles and Paris Spaces.

    Oslo 2009. 22 31,5 cm. 36 pages, staple bound with dustjacket.

  • David Reed. Rock Paper Scissors.

    Jochen Kienbaum (ed.). Köln 2008. 23,5 x 34,5 cm. 80 pages, cloth with dustjacket.

  • Gerhard Richter. Wald.

    Köln 2008. 16,5 x 24,5 cm. 396 pages, cloth with dustjacket.

  • Villa Massimo 2007.

    Roma 2008. 18,5 x 24,5 cm, 304 pages, cloth.

  • Anna & Bernhard Blume. Reine Vernunft.

    Berlin, Köln 2008. 22 x 27 cm. 100 pages, softcover with flaps.

  • flypaper 3+. Volker Pantenburg. More Screen Tests: 100-Worte-Texte zum Kino.

    Lutz Becker & Uwe Koch (eds.). Köln 2008. 13,8 x 20,4 cm. 36 pages, staplebound.

  • Johannes Stüttgen. Joseph Beuys. Der Ganze Riemen.

    Köln 2008. 20,4 x 29,5 cm. 1048 pages, cloth with bandarole.

  • Europop.

    Tobia Bezzola, Franziska Lentzsch (eds.). Köln 2008. 316 pages, hardcover.

  • Anselm Kiefer. Sculptures and Paintings from the Hall Collection.

    Massachusetts, Derneburg 2008. 29,5 x 22 cm. 64 pages, cloth.

  • Brigitte Kölle. okey dokey Konrad Fischer.

    Köln 2007. 17 x 24 cm. 312 pages, softcover.

  • Julian Schnabel.

    Derneburg 2007. 22,5 x 32,5 cm. 208 pages, cloth with dustjacket.

  • Hubertus Butin. Peter Zimmermann. Painting.

    Ostfildern 2007. 17,5 x 24,5 cm 144 pages, hardcover with dustjacket.

  • flypaper 3. Volker Pantenburg. Screen Tests: 100-Worte-Texte zum Kino.

    Lutz Becker & Uwe Koch (eds.). Köln 2008. 13,8 x 20,4 cm. 36 pages, staple bound.

  • Palermo.

    Susanne Küper, Ulrike Groos, Vanessa Joan Müller (eds.). Düsseldorf, Köln 2007. 23 x 29 cm. 232 pages, softcover.

  • Stephan Kaluza. Der Rhein.

    Köln 2007. 40 x 24 cm. 420 pages, hardcover in slipcase.

  • Roswitha Hecke. Pigalle.

    Köln 2007. 14,3 x 21 cm. 128 pages, softcover with dustjacket.

  • London 2007.

  • Candida Höfer. Buenos Aires

    Oslo 2007. 22 31,5 cm. 36 pages, staple bound with dustjacket.

  • Donald Urquhart. A Present from the Zoo.

    Köln 2006. 23 x 33,5 cm. 112 pages, softcover.

  • Allen Ruppersberg. One of Many — Origins and Variants.

    Düsseldorf, Dundee, Sevilla, Köln 2006. 20 x 28 cm. 232 pages, softcover.

  • flypaper 2. Tom Holert. Hinter ihr / ihm, in wesenlosem Scheine.

    Lutz Becker & Uwe Koch (eds.)

    Köln 2006. 13,8 x 20,4 cm. 32 pages, staplebound.

    www.flypaper.virb.com

  • Hans-Peter Feldmann. Blau.

    Köln 2006. 14,8 x 21,5 cm. 16 pages, staple bound.

  • John Baldessari. Prima Facie: Marilyn's Dress.

    Köln 2006. 13,3 x 16,7 cm. 44 pages, hardcover.

  • Brandon Lattu. Selected Works.

    New York, 2005. 23,2 x 20,8 cm. 48 pages, hardcover.

  • C. O. Paeffgen in Trinitatis.

    Köln 2005. 21 x 27 cm. 64 pages, softcover.

  • Brigitte Franzen & Stefanie Krebs. Landschaftstheorie.

    Köln 2005. 15 x 23 cm. 340 Seiten, softcover.

  • Candida Höfer. Brazil Series.

    Oslo 2005. 22 31,5 cm. 32 pages, staple bound with dustjacket.

  • Dan Perjovschi. I Draw I Happy.

    Köln 2005. 11 x 14,8 cm. 256 pages, softcover.

  • George Brecht. Notebook VII. June 1961–September 1962.

    Herrmann Braun (ed.). Köln 2005. 22 x 28 cm. 378 pages, spiral binding.

  • Variantology 1.

    Siegfried Zielinski, Silvia M. Wagnermaier (eds.). Köln, 2005. 15,5, x 23 cm. 384 pages, softcover.

  • Robert Crumb. Yeah, but is it Art?

    Köln 2004. 23,4 x 30,5 cm. 280 pages, hardcover.

  • Gerhard Richter. Editionen 1965-2004.

    Bonn, Dallas, Ostfildern 2004. 23,5 x 30,5 cm. 288 pages, cloth with dustjacket.

  • Jörg Immendorff & Thomas Spengler. 15 Affen für Ida.

    Berlin, Köln 2004. 60 pages, hardcover.

  • Thomas Zitzwitz. ligne de chance.

    Köln 2004. 12 x 15,6 cm. 32 Seiten, staple bound.

  • von a bis z. 26 Essays zu Grundbegriffen der Architektur.

    Mario Hohmann & Stefan Rettich (eds.). Köln 2004. 12,5 x 17,5 cm. 162 pages, softcover.

  • Ingrid Calame, Mathilde ter Heijne, Jörg Wagner.

    Hannover 2004. 16,3 x 24 cm. 200 pages, softcover.

  • Gerhard Richter. War Cut.

    Paris, Köln 2004. 21 x 25 cm. 344 pages, cloth.

  • Hans Hartung. So beschwor ich den Blitz.

    Köln 2004. 21,3 x 28,5 cm. 152 pages, hardcover.

  • Hans Rogalla. Die Welt muss schöner werden!

    Düsseldorf, Karlsruhe, Köln 2004. 16,5 x 23,5 cm. 144 pages, softcover.

  • Kasper König zum Sechzigsten.

    Köln 2003. 15,7 x 24,5 cm. 304 pages, softcover.

  • Paul McCarthy. Videos 1970-1997.

    Yilmaz Dziewior (ed.). 176 pages, softcover.Hamburg, Köln 2003. 16,5 x 24,3 cm.

  • Rembrandt. Die Radierungen im Städel.

    Frankfurt, Köln 2003. 12,3 x 18,4 cm. 192 pages, hardcover.

  • Paul McCarthy. Tokyo Santa.

    Köln 2003. 27,8 x 40 cm. 156 pages, hardcover.

  • Günter Brus. Werkumkreisung.

    Wien, Köln 2003. 23 x 29 cm. 288 pages, softcover with dustjacket.

  • Hanne Darboven. Kulturgeschichte 1880-1983.

    Köln 2003.

  • Candida Höfer. Martin Kippenberger. Deutscher Pavillon Venedig 2003.

    Köln 2003. 15 x 22 cm. 104 pages, softcover with dustjacket.

  • Digne M. Marcovicz. "To the people ...". Sprechen über Blinky Palermo.

    Köln 2003. 12 x 19 cm. 160 pages, softcover.

  • Thomas Bayrle. Layout. Philip Johnson.

    Köln 2003. 118 pages, softcover.

  • Jean-François Moriceau + Petra Mrzyk. Trois Fois Plus.

    New York, Köln 2003. 21 x 29,7 cm. 160 pages, softcover

  • Uwe Koch: Annotated catalogue raisonné of the books by Martin Kippenberger 1977-1997.

    With essays by Diedrich Diederichsen & Roberto Ohrt. New York, Köln 2002. 21 x 27,5 cm. 368 pages, hardcover.

  • Jörg Immendorff. Die Nase.

    Köln 2002. 216 pages, hardcover.

  • Rosemarie Trockel. Protest.

    Köln 2002. 16 x 21 cm. 368 pages,softcover.

  • Lisa Ruyter & Jack Miles. Stations of the Cross.

    New York, 2002. 21 x 27,5 cm. 56 pages, softcover with flaps.

  • Hanne Darboven. Werkverzeichnis Bücher.

    Köln 2002. 21,5 x 28,5 cm. 216 Seiten, hardcover.

  • Paul Morrison. Chloroplast.

    Nürnberg / Southampton / Köln 2002. 21 x 28 cm. 80 pages, softcover with flaps.

  • Yoshitaka Amano.

    New York 2002. 21,3 x 29,2 cm. 192 pages, halfcloth.

  • Anna & Bernhard Blume. Prinzip Grausamkeit.

    Köln, 2002. Hardcover.

  • 100 Reviews. Backwards. London.

    London, 2002. 13,5 x 19,3 cm. 172 pages, softcover.

  • 100 Rieviews (3).

    London, 2002. 11,8 x 17 cm. 90 pages, softcover.

  • Cristopher Dell. Prinzip Improvisation

    Köln 2002. 15,5 x 23 cm. 268 pages, softcover.

  • Jean Dubuffet. Biografie im Laufschritt.

    Köln 2002. 13 x 20 cm. 136 pages, softcover.

  • Christian Boltanski. Scratch

    Karlsruhe, Köln 2002. 15 x 22 cm. 10 pages. hardcover.

  • Peter Fischli & David Weiss. Sichtbare Welt.

    Barcelona / Köln 2001. 27,5 x 21,5 cm. 360 pages, hardcover.

  • Sigmar Polke. Cupido.

    Köln 2001. 48 pages, softcover.

  • Vorträge zum filmischen Werk von Marcel Broodthears

    Berlin, Köln 2001. 15,5 x 23 cm. 132 pages, softcover.

  • Hanne Darboven. Schreibzeit.

    Bernhard Jussen (ed.). Köln 2000. 15,5 x 23 cm. 216 pages, softcover.

  • Erwin Heerich. Skulptur und der architektonische Raum.

    Köln 2000.

  • Lab. Jahrbuch 2000 für Künste und Apparate.

    Siegfried Zielinski (ed.). Köln 2000. 14,8 x 21 cm. 280 pages, softcover with flaps.

  • Martin Kippenberger. Bei Nichtgefallen Gefühle zurück.

    Köln 2000. 14,8 x 21 cm. 224 pages, softcover.

  • Martin Kippenberger. No Drawing No Cry.

    Köln 2000. 21 x 29,5 cm. 494 pages, softcover with flaps.

  • Tom Holert. Imagineering.

    Köln 2000. 17 x 24 cm. 200 pages, softcover.

  • Raymond Pettibon. Aus dem Archiv der Hefte 1978-1998 (german edition).

    Raymond Pettibon. The Books 1978-1998 (english edition).

    Roberto Ohrt (ed.). With a catalogue raisonné of the artist's books by Uwe Koch and Roberto Ohrt. Köln / New York 2000. 14 x 21,5 cm, 898 pages, hardcover (german edition) / softcover (english edition).

  • Maurice Blanchot. Der Wahnsinn des Tages.

    Köln 2000. 11,3 x 17,7 cm. 40 pages, softcover.

  • Dieter Roth. Die Haut der Welt.

    Köln 2000. 270 pages, hardcover.

  • Sándor Márai. Tagebuch 1985-1989.

    Köln 1999. 15 x 23 cm. 48 pages, softcover.

  • Richard Tuttle. Perceived Obstacles.

    Köln 2000. 30,5 x 96 cm. 90 pages, stamped cardboard cover.

  • Antiken 2. Italische Tonvotive.

    Köln 1999. 28 x 19,4 cm. 32 Seiten, staplebound.

  • Peter Fischli & David Weiss. Musée d'Art Moderne de la Ville de Paris.

    Paris, Köln, 1999. 20 x 27,5 cm. 94 pages (47 loose folded sheets), with bandarole.

  • Kunst Buch Freunde. Walther König zum Sechzigsten.

    London 1999. 17,5 x 25 cm. 200 pages, softcover with flaps.

  • Chris Reinecke. 60er Jahre — Lidl-Zeit.

    Düsseldorf, Köln 1999. 200 pages, softcover.

  • Lab. Jahrbuch 1999 für Künste und Apparate.

    Siegfried Zielinski (ed.). Köln 1999. 14,8 x 21 cm. 352 pages, softcover with flaps.

  • Stanley Brouwn. 1 x 1 royal cubit.

    Köln 1998.

  • Carsten Höller's Spiele Buch. Köln 1998. 11,5 x 18,2 cm. 78 pages, PVC softcover.

  • Richard Tuttle. Reading Red.

    Köln 1998. 8 pages and 3 round folded sheet, cloth.

  • Jochen Klein.

    Wolfgang Tillmans (ed.). Köln 1998. softcover.

  • Wolfgang Tillmans. Concorde.

    Köln 1997. 16,3 x 24 cm. 128 pages, softcover.

  • George Brecht. Notebook IV. September 1959 — March 1960.

    Hermann Braun (ed.). Köln 1997. 22 x 29,5 cm. 248 pages, spiral binding.

  • George Brecht. Notebook V. March 1960 — November 1960.

    Hermann Braun (ed.). Köln 1997. 22 x 29,5 cm. 168 pages, spiral binding.

  • Lawrence Weiner. To Build A Square In The Rhineland.

    Köln 1995.